'The Electric State' Review Thread

Rotten Tomatoes: 29% (from 29 reviews) with 3.60 average rating

Metacritic: 30/100 (9 critics)

As with other movies, the scores are set to change as time passes. Meanwhile, I'll post some short reviews on the movie. It's structured like this: quote first, source second. Beware, some contain spoilers.

Co-directors Anthony and Joe Russo take full ownership of their boys-with-toys mojo in this slick but dismally soulless odyssey across the American Southwest in a retro-futuristic alternate version of the 1990s. Following Cherry and The Gray Man, the brothers continue their post-Avengers streak of grinding out content for streaming platforms, amassing big budgets and marquee-name stars for quick-consumption movies destined to leave zero cultural footprint.

-David Rooney, The Hollywood Reporter

“The Electric State” is emotionally incoherent because the moral of its story is contradicted by the emphasis of its telling. It’s no wonder the filmmakers appear to side with their villain. As Skate puts it: “Our world is a tire fire floating in an ocean of piss.” Despite all of the clout and capital at their disposal, the Russo brothers can think of nothing better to do than stick our faces in it.

-David Ehrlich, IndieWire: D–

There’s no rule that says book-based films shouldn’t diverge from what’s on the page. Stanley Kubrick’s “The Shining” and Paul Verhoeven’s “Starship Troopers” certainly did, and those stories found their audiences in both mediums. In this case, however, the filmmakers have diluted the source material, showing a clear lack of interest in making their creation just as haunting, searing and satisfying as the original product.

-Courtney Howard, Variety

I’m not surprised that Netflix and the Russos want to tell a story about how humans and machines can live together in peace, but I struggled to find much humanity in a picture so gleefully soulless.

-Matt Goldberg, The Wrap

There is a gallery of wacky individuals of all shapes and sizes, providing some undemanding work for voice-artists including Brian Cox, Woody Harrelson, Alan Tudyk and Colman Domingo. But there’s no soul, no originality, just a great big multicolour wedge of digital content.

-Peter Bradshaw, The Guardian: 2/5

The Electric State is somehow both punishingly obvious and completely incoherent. Ultimately, however, the only real point is that pop culture should be revered as humanity’s prime sustenance. Cosmo is based on a children’s cartoon that’s presented as the only real emotional bond between Michelle and her brother; the surrounding landscape is nothing but malls and fairgrounds, temples to consumerism where characters practically salivate while listing off menus items from Panda Express; and there’s a searingly earnest piano cover of “Wonderwall” at the end. The Electric State isn’t about dystopia. It’s the dystopia itself.

-Clarisse Loughrey, The Independent: 1/5

The Electric State loses some of the quiet profundity of the original text, but as a breezily watchable retrofuturistic jolly, it has just enough juice.

-John Nugent, Empire: 3/5

Throughout, the film essentially functions as a plea to its viewers to put technology aside and embrace the power of human connection. It's a noble message – and one which most audiences members will surely be able to emphasise with – but in truth it feels hollow coming from a work that seems so clearly to have been made with the Netflix algorithm firmly in mind.

-Patrick Cremona, Radio Times: 2/5

Should we expect more from a Netflix movie by now? Probably. But The Electric State is indicative of too many blockbuster offerings from the streaming service that do just enough to get you to watch, but are rarely good enough to be memorable.

-Ian Sandwell, Digital Spy: 2/5


PLOT

In a retro-futuristic past, orphaned teenager Michelle traverses the American West with an eccentric drifter and a sweet but mysterious robot in search of her younger brother.

DIRECTORS

Anthony & Joe Russo

WRITERS

Christopher Markus & Stephen McFeely (based on the novel by Simon Stålenhag)

MUSIC

Alan Silvestri

CINEMATOGRAPHY

Stephen F. Windon

EDITOR

Jeffrey Ford

RELEASE DATE

March 14, 2025

RUNTIME

128 minutes

BUDGET

$320 million

STARRING

  • Millie Bobby Brown as Michelle

  • Chris Pratt as Keats

  • Ke Huy Quan as Dr. Amherst / the voice of P.C.

  • Jason Alexander as Ted

  • Woody Harrelson as Mr. Peanut

  • Anthony Mackie as Herman

  • Brian Cox as Popfly

  • Jenny Slate as Penny Pal

  • Giancarlo Esposito as Colonel Marshall Bradbury

  • Stanley Tucci as Ethan Skate